Morris One LUT
This LUT is designed based off the Sony A7IV and it’s new colour science. The LUT can give you a perfect starting point or even a final product.
I have formulated this LUT to correct for a very slight green shift in the standard Sony LUTs skin tones to more warmer pleasing looking tones.
This is designed for the standard S-Log 3 S-Gamut3.Cine profile on the Sony A7IV but can be applied to S-Log 2 or any other camera with tweaking the sliders to suit.
These are for your editing software and not for in-camera monitoring
This LUT is designed based off the Sony A7IV and it’s new colour science. The LUT can give you a perfect starting point or even a final product.
I have formulated this LUT to correct for a very slight green shift in the standard Sony LUTs skin tones to more warmer pleasing looking tones.
This is designed for the standard S-Log 3 S-Gamut3.Cine profile on the Sony A7IV but can be applied to S-Log 2 or any other camera with tweaking the sliders to suit.
These are for your editing software and not for in-camera monitoring
This LUT is designed based off the Sony A7IV and it’s new colour science. The LUT can give you a perfect starting point or even a final product.
I have formulated this LUT to correct for a very slight green shift in the standard Sony LUTs skin tones to more warmer pleasing looking tones.
This is designed for the standard S-Log 3 S-Gamut3.Cine profile on the Sony A7IV but can be applied to S-Log 2 or any other camera with tweaking the sliders to suit.
These are for your editing software and not for in-camera monitoring