Cinema Tone LUT
This LUT is designed based off the Sony FX30 and it’s new color science. The LUT can give you a perfect starting point or even a final product.
I have formulated this LUT to be used as a drag and drop. This is not to replace color grading but to help speed work flow for people who don’t want to learn color grading.
This is designed for the standard S-Log 3 S-Gamut3.Cine profile on the Sony FX30 but can be applied to S-Log 2 or any other camera with tweaking the sliders to suit.
These are for your editing software and not for in-camera monitoring.
This LUT is designed based off the Sony FX30 and it’s new color science. The LUT can give you a perfect starting point or even a final product.
I have formulated this LUT to be used as a drag and drop. This is not to replace color grading but to help speed work flow for people who don’t want to learn color grading.
This is designed for the standard S-Log 3 S-Gamut3.Cine profile on the Sony FX30 but can be applied to S-Log 2 or any other camera with tweaking the sliders to suit.
These are for your editing software and not for in-camera monitoring.
This LUT is designed based off the Sony FX30 and it’s new color science. The LUT can give you a perfect starting point or even a final product.
I have formulated this LUT to be used as a drag and drop. This is not to replace color grading but to help speed work flow for people who don’t want to learn color grading.
This is designed for the standard S-Log 3 S-Gamut3.Cine profile on the Sony FX30 but can be applied to S-Log 2 or any other camera with tweaking the sliders to suit.
These are for your editing software and not for in-camera monitoring.